Equip web CCCB

(Català) Sant Jordi 2014: La llista d’autors Primera Persona

April 22nd, 2014 No Comments

#MuseumWeek, an interactive experiment

March 13th, 2014 No Comments

For the first time, and with the aim of setting a precedent, #MuseumWeek will bring together a score of Spanish museums and over 200 cultural centres from all over Europe in an initiative whose aim is to make culture more easily accessible via Twitter. It will take place in the week of 24 to 28 March, and the Centre de Cultura Contemporània de Barcelona will be one of the virtual scenarios where this proposal will unfold.

#MuseumWeek will fill the web with comments, anecdotes, questions, and answers. It will offer prizes to participants, share knowledge and experiences and become a meeting point for lovers of art and culture. The museums will open their doors via Twitter, offering a previously unseen or little-known image of their premises, their activities, and the people who work there.

Each day of the week will be devoted to a theme, which will allow in-depth study of two major events linked to the CCCB: the inauguration of the exhibition Metamorphosis and the celebration of 20 years of the CCCB. And, at the same time, each of the themes will serve to explain certain aspects of the event in question. Thus, #MuseumWeek will be organised in the following way:

Monday 24: A day in the life

This title encompasses all the stories that take place at the centre the day before the inauguration of an exhibition. How the curators work to ensure that everything is in order; how the exhibition coordinators organise themselves; what the press department does; the final touches made to the exhibition space… “A day in the life of an exhibition” will mean that things that are not usually shown will be revealed.

Tuesday 25: Test your knowledge

Coinciding directly with the inauguration of Metamorphosis, followers will be asked diverse questions related with the exhibition and its protagonists: the Quay Brothers, Jan Švankmajer, and Ladislas Starewitch. The aim is not so much to put Internet users to the test as to let people in on anecdotes and interesting facts about the exhibition, one of the CCCB’s exhibitions of the year. What’s more, people who participate will have a chance to win different prizes.

Wednesday 26: Your story

Once the inauguration is over, Wednesday will be devoted to visitors to the centre and their stories, but it will also feature the staff of the CCCB itself. What memory does the public have of the CCCB? Which exhibition did people like best? Which activities do they take part in? And as for the staff, what is their best CCCB moment? As the title indicates, “Your story” is the link between the visitor, the staff members, and the CCCB over the course of 20 years of history. And there will be a prize on offer too!

Thursday 27: Buildings behind the art

Continuing with the anniversary theme, Thursday will be devoted to the CCCB as a cultural venue. We will recover old images of the building when it was the Casa de la Caritat (Almshouse), show spaces that are unknown to the public, and reveal interesting stories about the centre… In short: what hides behind this 18th century building?

Friday 28: Ask the expert

The #MuseumWeek proposal for Friday is devoted to the experts, but we are going to turn it around and make the public an expert on the CCCB. How will we do it? Under the tag #sabiesque, we will be providing capsules of information that anyone with an interest in culture should know about order to become an expert on our centre.

So, are you up for forming part of Museum Week?

An uncontrollable music

February 28th, 2014 1 Comment

By Sidewalk Bookings and Los Cuatro Cocos

“The complete cost of Smokescreen was 153 pounds. It was easy, it was cheap, go and do it! The medium may very well have been tedium but it’s changing fast. So if you can understand, go and join a band. Now it’s your turn”. That’s how Desperate Bicycles put it on the sleeve of their second single. It was an invitation to action, to form a group and just do it. Desperate Bicycles formed for the sole purpose of showing how easy it was: their first practice produced their first songs and a first single. It wasEngland, March 1977. The seed of punk sprouted lots of groups wanting to function on the fringes of the industry for vital and political as well as aesthetic reasons.

Self-management as a concept is older than the acronym DIY and is its basis: the anarchist idea of society that becomes aware and starts to construct its future, transforming the productive structure and managing it collectively with the participation of all of its constituent individuals. In disc form, this means taking part as a group, making your own decisions in all parts of the process, taking control of your art and what surrounds it, because the medium is also the message.


When the CCCB contacted us, we immediately knew what we wanted: to use this invitation to put on a concert that would be difficult to organize in any other way and try to show something of the music that brings together Sidewalk Bookings and Los Cuatro Cocos in a new context for groups and for us. Since BCNmp7 bases its sessions on themes, in our case it would be “the uncontrollable music” that unites us.

The first thing we did was find points of connection—an artist that either of us might programme—and organize the session around them. We also knew that we wanted something special which, above all, had to reflect our way of doing things, even in an unusual context like the Centre de Cultura Contemporània de Barcelona. All the options that came to mind were, in music terms, fairly aggressive, and all of them went with Una Bestia Incontrolable.

Una Bestia Incontrolable often play in Barcelona, but it’s not easy to get to see them as they’re an autonomous group on the fringes of the festival and venue circuits, with roots in a very specific scene though stylistically free. They started out from punk to expand and burn beyond punk or hardcore. It was they who suggested Pharmakon and Coàgul to share a session and collaborate with them: two projects with which they share roots but not necessarily a style. These roots go around the world, because the punk circuit is not a closed room. Collective management or mutual assistance stretches its tentacles far beyond the grey buildings of any given city. We’re talking about punk, but not just that. We (Los Cuatro Cocos and Sidewalk Bookings) try to function autonomously, not as a stylistic hallmark (indie), but as an attitude to life, a certain way of doing things. As Desperate Bicycles said, go and do it. There’s no merit in it.

Una bèstia incontrolable


This is what “An uncontrollable music” is about: music that is born free, united by an attitude to life and a sensibility that doesn’t impose a style. On 6 March, you’ll hear an overwhelming live set, aggressive music that aims to shake you without telling you what to do. We hope it will be a gateway for you to a different, betterBarcelona than the one we’re shown every day. That’s what it is for us.


Like a Lucio Fulci film, says Marc O’Callaghan, aka Coàgul, of the two songs on his cassette Janitor, “their music aspires to open the gates of heaven and hell”. And even though, as with the Italian horror film director, you might think it has more to do with hell than with heaven, he is right to a degree. To continue with the cinematographic similes, this Catalan’s songs could be the soundtrack for the wildest works of Shinya Tsukamoto; like the films of the father of cinematographic cyberpunk, Coàgul is art of noise, electronic and industrial sounds of demolition, and reflections from the beyond of a viscerality that explodes in your face. In short, O’Callaghan puts the soundtrack to the everyday lives we live in a dehumanized industrial and technological society. And it manages to be a furious, highly personal warning cry to awaken us all from lethargy.

Marc O’Callaghan (Coàgul) © Joan Teixidor

Una Bèstia Incontrolable

Una Bèstia Incontrolable are one of those groups that cross borders, both mental and physical. They’ve already toured in the US, where they’re hailed as heroes of the rawest, most primitive punk. But actually, that’s the least of it; the Catalans are just as good on either side of the pond. On this shore, we get to see them in squats, social centres and venues that have seen fit to weather their sonic storms. Storms that crystallized a few months back with the release of their first official disc, Observant com el món es destrueix, an album full of fury, rage and noise, like their concerts, comprising nine songs that deliver a kick to the gut. Not the kind of kick that leaves you doubled over, the kind that is a call to action, to do something in this world that seems to be on its way to hell in a hand basket. The intellectual and musical discourse of Una Bèstia Incontrolable is not cryptic, and after the initial overdose of decibels and the shock it may occasion in those unfamiliar with the sound, it should open the minds of all those listeners who think that the most furious and freethinking atavistic DIY punk and hardcore are not their thing.


Closing the session is Pharmakon, the noise-neurotic project of Margaret Chardiet, a New Yorker who’s just 23 years old and already has a fair few years’ experience on the stage. She started out as Pharmakon in 2007 when she self-released her first CD-R. The child of punks and one of the figures who helped to build the multi-task space and mecca of contemporary experimentation, Red Light District (in Far Rockaway), Margaret Chardiet grew up going to punk concerts at DIY venues like ABC No Rio and C Squat, as well as going to house shows every week. Well connected with the avant-garde scene and centring on noise/improv experimentation, Margaret came into this world on the extreme edge, in terms both of music and content. Pharmakon has a supernatural stage presence and she herself describes her performances as an exorcism as she casts out her demons to confront the audience with uncomfortable feelings. We can expect an amazing, harrowing live set with invocations and diabolic cries.


The first #BCNmp7 session, An uncontrollable music, is on Thursday 6 March from 21:00 to 00:00 in the Teatre del CCCB

More information at CCCB web and @CCCBmusica Twitter account


(Català) Sadness, la girafa i els nascuts el 94 (com el CCCB)

February 19th, 2014 No Comments

Happy new year! In 2014 it will be our 20th birthday: we look forward to celebrating it together with all of you!

December 18th, 2013 No Comments

The team at Centre de Cultura Contemporània de Barcelona (CCCB) would like to thank all those people who shared 2013 with us and wish you all the very best for the new year.

Happy new year! In 2014 it will be our 20th birthday: we look forward to celebrating it together with all of you!