Posts Tagged ‘Premi Internacional a la Innovació Cultural’

What the CCCB has in store: a foretaste of the 2017 programme

December 20th, 2016 No Comments

A new year is just around the corner and it’s time to give you a taster of what we’re cooking up at the Centre de Cultura Contemporània, what the various programming teams are working on, and the themes and the protagonists of our debates, films, audiovisual screenings, exhibitions and festivals for 2017.

We can look forward to a new season of activities organized around a central idea running through the entire programme: reflection on change. Get out your diaries and take note!

Debates about change in the present

Judit Butler lecture © CCCB. Miquel Taverna, 2015

We start the year with a major debate about Europe, a continent undergoing one of the most critical moments in its political history, with a humanitarian crisis surrounding refugees and the rise of authoritarianisms and xenophobia. 

Debates and humanistic and philosophical reflection about the present will continue throughout the year with cycles of talks about the idea of revolution and its strength today, about the role of Russia in the world in the centenary of the October Revolution, about suicide (leading cause of non-natural death among young people in Catalonia) and about privacy at a time when technology permeates all spheres of our lives.

Climate change from the viewpoint of culture

The third culture, a line of programming that brings together art, science and design, will be very present in debates like “Technology, sovereignty and globalization”, a series of talks directed by Evgeny Morozov. Composer Brian Eno is one of the first speakers to be confirmed.

Critical reflection on climate change and the destruction of the planet is one of the big themes of the year, which we’ll be addressing in After the End of the World. Curated by José Luis de Vicente, this exhibition will present multidisciplinary projects and viewpoints, allowing us to form a fairly realistic view of what our lives and the world will be like in the not too distant future (the year 2050). This year’s edition of the International Cultural Innovation Award is open to cultural ideas that offer imaginative, effective solutions to climate change. The winning project will form part of the exhibition After the End of the World.

2017, a literary year at the CCCB

The Pati de les Dones during Kosmopolis festival © CCCB. Miquel Taverna, 2013

Amplified literature: Kosmopolis is back for year nine of the amplified literature festival. Under the heading “When Everything Changes”, this literary festival presents a five-day programme bringing together established authors and new talents to address some of the principal challenges facing culture and literature in the broadest sense. John Banville, Kim Stanley Robinson, Jean Echenoz, Sophie Divry, Orna Donath, Pierre Lemaitre, Jo Nesbø, Marta Sanz and Alicia Kopf are some of the names of Kosmopolis 2017.

A few days before Kosmopolis kicks off, we’ll be opening the exhibition Photobook Phenomenon, about the relation between photography and paper publications with a deluxe group of curators: Gerry Badger, Horacio Fernández, Ryuichi Kaneko, Erik Kessels, Irene de Mendoza, Moritz Neumüller, Martin Parr, Markus Schaden and Frederic Lezmi.

The month of May sees the arrival of the sixth edition of Primera Persona, another of the CCCB’s in-house festivals in which literature, music and autobiographical narrative take the stage.

Women have a lot to say

Thewriter Taiye Selasi in Kosmopolis 2015. © CCCB. Carlos Cazurro, 2015

“Good girls go to heaven—bad girls go everywhere.” This phrase, attributed to the actress Mae West, provides the inspiration for Gandules, the al fresco film programme that takes place in August. With the title “Wild and Indomitable Women of the Cinema”, we’ll be showing films that remind us of female characters who have inundated the cinema screen throughout history. María Castejón Leorza, a film critic on the team of Pikara Magazin, will be the curator of the cycle.

The Kosmopolis festival will also be looking at literature written by women as one of the central themes of this year’s edition.

15 years of experimental cinema

In 2018, Xcèntric, the CCCB’s cinema, turns 15. Xcèntric opens an anniversary season with a programme of Val del Omar premieres and a concert by El Niño de Elche. It’ll also have a new website and a book about essential filmmakers in experimental cinema.

The CCCB continues its collaboration with established festivals like L’Alternativa, DOCSBarcelona, Miniput and the International Women’s Film Festival, as well as younger proposals like D’A and the Serielizados Fest.

Soy Cámara’s YouTube channel will continue to experiment with the genre of the video essay centring on current affairs and themes included in the CCCB’s programme. A new feature this year is a programme of live presentations, kicking off with the screening of Hypernormalisation, the latest documentary by Adam Curtis.

Two Days for Cultural Innovation

June 2nd, 2015 1 Comment

On 10 June we will find out who has won the Cultural Innovation International Prize, organised by CCCBLab to discover answers to the question “What can we say about “audiences” in the context of cultural institutions?” The call for entries attracted the presentation of over 150 projects from 25 countries with all kinds of proposals that offer an interesting analysis of the state of the issue.

The theme was sufficiently broad to allow participants to offer an extensive range of solutions, which in come cases involve projects of an artistic nature and in others a transformation of the curatorial or organisational model of cultural institutions. From all of them, ten were selected that propose different alternatives to the competition’s question.

For example, Art Meal (Netherlands) uses the experience of going to a restaurant as a metaphor to create an innovative exhibition format. The CCC Tv Tú (Spain) proposal transfers the museum to the street through screens in different areas around the city and goes out to seek its audience, a proposal similar to In-Visible (Italy), which creates a game of cubes with QR codes with which the audience’s experience travel around the city and also finds points in common with Beep Beep (Argentina), which aims to bring the rural world closer to the urban world through interventions in places such as automatic cash machines. Cultime (Netherlands/Spain) consists of a time bank and a social network through which participants share time and cultural experiences, similar to the idea proposed in Píndoles culturals (Spain), which also makes use of new technologies (in this case an app), so that visitors to a cultural centre can expand on the exhibition contents after their visit.

The collaborative projects aim to involve the public in the choice of cultural activities. This is the case with Esdevenir públic (Spain), which proposes a collaborative curatorial process between civil society, artistic groups and the education sphere in order to involve the different agents in the creation of a cultural programme. La Baraka (France) takes as a starting point a set of Spanish playing cards to develop the identity of the Raval neighbourhood, and Dar lugar (Spain) aims to convert the CCCB’s Pati de les Dones courtyard into a public square where projects are formulated in open code. Finally, CICDB (Spain) is a collaborative project structured into three lines of work: a curatorial programme and a collaborative art project, an informal architecture laboratory and a dialogic archive.

These ten finalist projects are being evaluated by a jury made up of agents from the cultural sector who on the day of the awards ceremony will offer different open dialogues to the public. Nina Simon, Director of the Santa Cruz Museum of History & Art and creator of the blog Museum 2.0, and Conxa Rodà, Head of Strategy and Communication at the MNAC, will talk about the participative museum and about the challenges and dilemmas of the institutions with regard to co-creation with the public. Mark Miller, Youth Programmes Convenor at the Tate, and Fito Conesa, head of Habitació 1418, the programming space for young people at the CCCB and the MACBA, will talk about collaborative practices to attract the younger public and on how to expand the institutions to a broader audience. And, finally, Marcos García, head of Medialab Prado in Madrid will talk about citizens’ innovation and cultural mediation and how to create spaces for creation, production and dissemination for artistic, cultural and citizens’ groups.

These debates will be held as a complement to the workshop which, under the title “Audiences in Action” will be held on the afternoon of 9 June and during the entire day on 10 June. The workshop, coordinated by La Mandarina de Newton, will consider new ways of working with the audience through the creation of prototypes and new collaborative dynamics, and the results will be presented at the end of the afternoon, shortly before the awards ceremony.

The ceremony itself (also in streaming) will begin at 19.30 with the screening of the CCCB’s Soy Cámara television programme devoted to the subject of audiences. Following this, participants from this first edition of the prize will present their projects, and the jury will reveal the winning project, which will obtain the prize of €10,000. The ceremony will finish with a concert by Wooky accompanied by audiovisuals by Videocratz.

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