(Català) Tornar al món (o per una nova relació amb la naturalesa)

August 31st, 2016 No Comments

Gandules Nights at the CCCB: Nights of Films and Sins

July 14th, 2016 1 Comment

This year’s cinema al fresco season is based on true confessions: I have sinned. Gandules’16 Gas Natural Fenosa is dedicated to the seven deadly sins: lust, sloth, gluttony, anger, envy, greed and pride; and two extra ones for free: sadness and extreme fantasy, courtesy of Desirée de Fez, the programmer of this edition.

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“For Gandules’16 I have programmed nine films thinking about what I would like to see as a viewer at an al fresco film cycle accompanied by friends and in a relaxed atmosphere”, explains Desirée de Fez. The film critic has made a varied selection with titles such as Amenaza en la sombra by Nicolas Roeg (Don’t Look Now, 1973) and The Room (2003) by Tommy Wiseau, considered “one of the worst films in history” by many film critics.

The deadly sins are considered the origin of all the mistakes that humans may ever want to commit. According to Saint Thomas (II-II:153:4), “a capital vice is that which has an exceedingly desirable end, so that in his desire for it a man goes on to the commission of many sins all of which are said to originate in that vice as their chief source.” The list of capital sins that must be avoided according to Christian morals has varied over time. Originally there were eight, including sadness. It was in the 6th century that Pope Gregory the Great established the number of sins as seven, as he considered sadness as a form of sloth.

Nine sins, nine films

Desirée de Fez has aimed to claw back sadness and has also included extreme fantasy in the programme. “Nowadays we all sin. The seven sins that we have known all our lives are no longer sufficient,” she affirms. Gandules’16 offers the viewer nine films that are each connected with a sin, sometimes in a subtle way. And no, Seven (1995) is not to be found among the films chosen.

The season begins on 9 August with Laberinto de pasiones (1982), one of the first films by Pedro Almodóvar, an invitation to lust that, for de Fez, “sketches a part of the social history of the 1980s”. Sloth is represented by Movida del 76 (Dazed and Confused, 1993) by Richard Linklater, and gluttony by Joven y alocada (2012), by Chilean Marialy Rivas, a film that deals with sexual discovery. De Fez has chosen Babadook (2014), by Jennifer Kent, to represent anger and to give a second chance to this horror film which has not previously enjoyed “the repercussions that it deserves”.

We can enjoy less well-known productions such as El rapto de Bunny Lake (Bunny Lake Is Missing), by Otto Preminger, for the sin of envy; and El gran rugido (Roar, 1981), by Noel Marshall, for greed. “In this film, a young Melanie Griffith was attacked by a lion and had to undergo reconstructive surgery”, de Fez notes.

For its final week, Gandules proposes the inclement melodrama The Room (2003), by Tommy Wiseau, representing pride. Plus the subline Amenaza en la sombra (Don’t Look Now, 1973), by Nicolas Roeg, with an ode to sadness. And Valerie y su semana de las maravillas (Valerie and Her Week of Wonders, 1970), by Jaromil Jires, as the culminating film representing extreme fantasy.

Desirée de Fez is of the opinion that it is possible to commit sins in a gracious way and she invites us to discover these tales and their meanings, simply choosing a little escapism on these summer nights. Each screening will be preceded by a video where musicians such as Joe Crepúsculo, film critics such as Manu Yánez or director Juan Antonio Bayona confess to us those aspects of the film that have seduced them most.

From 9 to 25 August, every Tuesday, Wednesday and Thursday, you are invited to cool off at 22.00 in the Pati de les Dones. Admission is free of charge and capacity is limited. Until Gandules’16 arrives, you can also succumb to desire with our list of sinful songs on Spotify, where you can add your own proposals. The songs proposed by you will be played as the soundtrack to the al fresco cinema sessions before each screening.

Llull the contemporary

June 30th, 2016 No Comments

If Ramon Llull were alive today he would be at the top of the best sellers’ list. He would be one of the stars at Barcelona’s Comic Fair where he would have been invited as a pioneer in the genre. He would be taking part in discussions about multiculturalism alongside Arabic and Jewish thinkers. He would be giving poetry readings and a travel agency would have been named after him. If Ramon Llull were still alive he would remark, with pride, that 700 years after his death, his work is not only valid but has taken on truly global proportions thanks precisely to the web, a technology he can be considered the forerunner of.

Breviculum’s animation, Ramon Llull life’s illustrated work. Karlsruhe, Badische Landesbibliothek, Cod. St. Peter perg. 92

Ramon Llull is a fascinating character but he is still surrounded by an aura of incomprehensibility and unfathomability. We have a somewhat biased image of Llull, of a man trapped in the dark and terrible Middle Ages, when, in fact, the reality was quite different: Llull lived in an age that saw the building of the first cathedrals which sought out light and colour, and he travelled around some of the foremost cultural hubs in Europe and the Mediterranean.

One thing is true however: the fact that we are devoting an exhibition to Llull today, seven centuries after his death, at a centre for contemporary culture, is because his thinking remains relevant today. Because, beyond his obsession with God, what he endeavoured to explain throughout his life (a new way of thinking) is still valid across many disciplines. That’s why, in order to gain a greater insight into Ramon Llull and his thinking, we have chosen a number of ideas to undo this image.

Ramon Llull lived a courtly and elitist life until the age of 30

Ramon Llull was from a well-to-do family and, as such, he lived a comfortable life and had connections with the court of King Jaume II of Mallorca. He married Blanca Picany when he was about 25 and they had two children, Domènec and Magdalena. It would appear that Blanca wasn´t the only woman in his life as, at the time, Ramon Llull was writing troubadour poetry and some people say that he lived quite a rakish life. All this changed when Ramon was 30 years old and, while he was writing one of these poems, Christ appeared to him on the cross. The vision, which reoccurred up to four times, changed his life.

Ramon Llull wrote the same book throughout his life

From this moment on, Ramon Llull lived the life of an enlightened person. He left his wife and children and withdrew to live as a hermit for four months at Puig de Randa (Mallorca), where he received the divine appointment to write “the most beautiful book in the world”. And he devoted himself to this task for the rest of his life. In fact he wrote more than 250 books that are just variations on the same book. The word of God is the book.

Ramon Llull wrote true bestsellers

The Book of Contemplation is a thousand words long and four times longer than Tirant lo Blanc. Llull is the medieval author of the largest surviving number of medieval manuscripts, many of them written during his lifetime; there are more copies of his works than by Thomas Aquinas, and Giordano Bruno wrote up to six treatises inspired by Lullian thought. The Ars Brevis, a summary of his philosophy, was copied more times than Boccaccio’s Decameron.

Ramon Llull is the main character in the first comic of all time

The Breviculum is an extraordinary work: a true medieval comic that tells the story of Ramon Llull’s life in 12 miniatures. It was made around 1321 by Tomàs Le Myésier, a follower of Llull’s who was associated with the French court, and includes the characteristic balloons with the words of the people depicted inside. It is kept at the Badische Landesbibliothek in Karlsruhe, and you can see an animated version at the exhibition.

Ramon Llull was a tireless traveller

Our central figure was also a travel pioneer and undertook journeys that would have had a worldwide impact today. In the 13th century the world was very small, and Ramon Llull travelled its length and breadth: from the time of his first trip to Montpellier to his last voyage to Tunis, the word of God guided Llull from Santiago de Compostela to the Vienna of the Dauphinate, from Rome to Paris, from Pisa to Lyon, Genoa, Barcelona, Bougie and Jerusalem… To Ramon Llull there were no borders to hinder the dissemination of his message.

Ramon Llull has a special connection with the number three

Ramon Llull lived in a world where three religions converged: the Christian, Jewish and Muslim. He wrote in three languages: Catalan, Latin and Arabic (although no manuscripts survive in the latter). He used three symbols: the tree, the ladder and geometric figures. He asked for his works to be kept in three places: Paris, Genoa and Mallorca. He wrote a book that had three sages as its central figures, The Book of the Gentile and the Three Sages. It defines the three virtues of the soul: memory, understanding and will. In medieval culture, three is a perfect number that symbolises continuous movement and is also the symbol of the Trinity. To Llull, God was pure movement and the reason why things combined. Three is God.

Ramon Llull worked in every literary genre

Spending one’s entire life writing the “best book in the world”, as he defined it, may have been a little boring. That’s why Llull chose to put across his message in every possible way. He wrote a book on mysticism (Book of Contemplation), a novel (Felix or the Book of Wonders) and a chivalresque novel (Book of the Order of Chivalry), poetry (Song of Ramon), a book of grammar (New Rhetoric), a book of aphorisms, the Book of the Lover and the Beloved, a treatise on astronomy and, first and foremost, works on philosophy, such as the Ars Magna. And not forgetting his troubadour poems, none of which survive.

Unbeknown to him, Ramon Llull invented the calculator (and, in passing, the web)

Throughout his life, Ramon Llull was obsessed with one subject: disseminating the word of God and converting sinners (that is, the Jews and Muslims) into Christians. That’s why he invented an Ars combinatoria, a thinking machine, which enabled people to attain divine thinking. Three centuries later (the number three crops up again), Leibniz created a calculating machine based on Llull’s philosophy. This machine can also be seen at the exhibition. Lull’s combinatorial system is also the basis for the system of networks, meaning that, for Llull, “being means being connected”.

Ramon Llull is an influencer

Ramon Llull’s dream has reached us today through literature and art. For instance, Jorge Luis Borges wrote a short story entitled Ramon Llull’s Thinking Machine. Umberto Eco devoted many pages to Llull in The Search for the Perfect Language. Juan Eduardo Cirlot explored the permutations of language, and the poetry collective Oulipo published One Hundred Billion Poems, based on the combinatorial system. Salvador Dalí staged a performance “following Ramon Llull’s archangelic doctrine”…

Ramon Llull, is, therefore, a multifaceted, complex and fascinating person. The creator of a new way of thinking who was ahead of his time and has become our contemporary. We can’t think of any better reason to come and see The thinking machine. Ramon Llull and the Ars combinatoria, open from July 14 to September 11.


Nobel Laureates in Literature who have visited the CCCB

May 17th, 2016 No Comments

The Centre de Cultura Contemporània de Barcelona’s interest in literature is very much present in its programme, from exhibitions to debates, in performative activities such as Slam Poetry and in consolidated festivals such as Kosmopolis, Primera Persona and Món Llibre. The CCCB is writers’ territory and this spring among the interesting authors visiting us are Juan Marsé, Jordi Puntí, Renata Adler, John Irving, Don DeLillo and Svetlana Alexievich. Taking advantage of the visit by the Nobel Laureate in Literature of 2015, we have done a little archaeological digging in our archive to remember other writers who have visited the CCCB and were also winners of this prestigious accolade.

Svetlana Alexievich Nobel Prize in Literature 2015. She visited the CCCB on May 2016 in a conversation with writer Francesc Serés.

Herta Müller Nobel Prize in Literature 2009 – She visited the CCCB in June 2012. She gave the lecture “Language as Homeland” and talked with translator and literary critic Cecilia Dreymüller. To coincide with her presence at the Centre, a small-format exhibition was dedicated to her “Herta Müller: The Vicious Circle of Words”.

Orham Pamuk. Nobel Prize in Literature 2006. He visited the CCCB in January 2010. The celebrated Turkish writer gave an interesting lecture on the future of museums and of novels.

J.M.Coetzee. Nobel Prize in Literature 2003. He made a “virtual” visit to the CCCB in October 2008. The South African writer read some excerpts from his book “Diary of A Bad Year” exclusively for the Kosmopolis literature festival.

Gao Xingjian. Nobel Prize in Literature 2000. Visited the CCCB in October 2008. The Chinese writer talked about the reason for being of literature and the sacrifices involved in the defence of creative freedom against the abuses of political or media power. The CCCB devoted an exhibition to him along with a television programme “Soy Cámara. El mundo de Gao”

Mario Vargas Llosa. Nobel Prize in Literature 2010. He visited the CCCB in October 2004.

Vargas Llosa gave the lecture “Wars at the 21st Century”.

The CCCB, a center commited to Literature

April 21st, 2016 1 Comment

Since 11 December 2015, Barcelona has formed part of the UNESCO’s Creative Cities network in the field of literature. Together with Baghdad (Iraq), Ljubljana (Slovenia), Lviv (Ukraine), Montevideo (Uruguay), Nottingham (England), Óbidos (Portugal), Tartu (Estonia) and Ulyanovsk (Russia), Barcelona now has official recognition of a reality that has been palpable in the city for a long time.

K15 // Martín Caparrós & Jon Lee Anderson © CCCB, Carlos Cazurro, 2015

Literature is one of the primary focuses of the CCCB and forms part of its founding principles: “The CCCB is a space for the creation, research, dissemination and debating of contemporary culture in which the visual arts, literature, philosophy, film, music, the performing arts and transmedia activity are interconnected in an interdisciplinary programme”. Literature is, therefore, one of the subjects that have most featured in exhibitions and activities over the centre’s twenty years of history.

In 1995, just a year after its inauguration, the CCCB presented the exhibition James Joyce’s Dublin, the first of a series devoted to cities and the writers linked to them. After Dublin, the series continued with The Lisbons of Pessoa (1997), The City of K. Kafka and Prague (1999) and Cosmopolis. Borges and Buenos Aires (2002). All of these exhibitions went beyond the writing to relate the works of authors with their literary and personal landscapes, to discover how the cities that they inhabited were the direct or indirect protagonists of their works. In The Trieste of Magris (2011), the Italian city served as a physical tour around the work of the Italian writer; with Pasolini Rome (2013), the filmmaker met the writer to defend his most critical role and Bolaño Archive (2013) recalled the passing of the Chilean writer through Blanes, Girona and Barcelona via a detective-style journey that visitors had to resolve, a kind of “meta-exhibition” that allowed relations and clues to be discovered in the very work of the author of The Savage Detectives.

Bolaño Archive. 1977-2003 © Lidia González Alija, 2013

Other writers as subjects of exhibitions and debates have been Calders (The Mirrors of Fiction, 2000), Espriu (I Looked Upon This Land, 2013), W.G. Sebald (Sebald Variations, 2015, an exhibition that related the walks taken by the German author with contemporary art), Julio Cortázar (Travels, Images and Other Territories, 2004), Federico García Lorca (1998) and J.G. Ballard (Autopsy of the New Millennium, 2008).

Espriu. I looked upon this land © La Fotogràfica, 2014

It was the exhibition devoted to Borges that gave its name to the amplified literature fest Kosmopolis, which held its first edition in December 2002. Since then, every two years (with some exceptions: in 2005 a special edition was held to coincide with Book and Reading Year and the 400th anniversary of the publication of the Quijote), it has brought together some of the best authors of world literature, including several Nobel, Cervantes and Príncipe de Asturias prize winners, such as Juan Marsé, Gao Xingjian, Claudio Magris, J.M. Coetzee, Tzvetan Tódorov, Amos Oz, Ismail Kadaré, Mario Vargas Llosa and Svetlana Alexievich. Kosmopolis bears the subtitle “Amplified literature fest” because it is more than a literature festival, because the themes for each edition are related to each other, because writing, science, comic art, the written and spoken word, music and theatre all form part of a programme that explores the letters from very diverse perspectives. And because it does not focus on a single form of literary expression, but rather encompasses them all. For all these reasons we would be so bold as to say that Kosmopolisis the only festival held in Barcelona on literature understood in its broadest sense, since other meet-ups, such as BCNegra or Barcelona Poesía, focus on the field of literature specialising in the crime and poetry genres, respectively.

K04 // Mario Vargas Llosa © CCCB, Susana Gelida, 2004

Beyond the exhibitions, the CCCB has also hosted book presentations, courses, tribute events and lectures by authors from al over the world. To cite just a few examples: Paul Auster presented his Winter Journal in 2012; Erri de Luca talked about the Mediterranean; Amin Maalouf debated on identity and memory; Orhan Pamuk reflected on the future of museums and literature; Herta Müller presented a small-format exhibition on her work; Salman Rushdie explained why we live in the time of strangeness, and Jonathan Safran Foerdefended the need to stop eating animals.

K15 // Salman Rushdie & Rodrigo Fresán © CCCB, Miquel Taverna, 2015

In 2016 we commemorated the seven-hundred year anniversary of the death of Ramon Llull and over the course of the year various activities were held related with the writer, philosopher, theologian, professor and missionary. At the CCCB we joined the commemoration with an exhibition, The Thinking Machine. Ramon Llull and the ars combinatoria, which offered a new perspective regarding his work. However, this is not the first nor the last anniversary to be celebrated at the centre: we also remembered J.V. Foix with the recital FestFoix. 25 Years With/Without Foix; we hosted a tribute to Joan Vinyoli on the thirty-year anniversary of his death, Anniversary Promenade. Tribute to Joan Vinyoli, and Raimon read texts by Joan Fuster on the 2012 commemoration of ninety years since his birth and fifty since the publication of his most important work, Nosaltres, els valencians. For the last three years we have also been celebrating Orwell Day; once a month we host a meet-up focusing on the spoken word, PoetrySlam, and regularly the Friends of the CCCB participate in the Reading Club led by journalist and writer Antonio Lozano. Furthermore, since 2013 the CCCB has formed part of the Literature Across Frontiers platform, which promotes literature and translation in minority languages with member literary festivals from places as diverse as Turkey, Poland, the United Kingdom, Croatia, Norway, Portugal and Slovenia.

Apart from Llull, the literary programme for 2016 was again brimming with important events. In May and June we were visited by Northamerican writers John Irving and Don DeLillo and in November we hosted Eurocon, Europe’s most important science-fiction literature meeting. We also received the most autobiographical authors of the moment at the Primera Persona festival, which confirmed authors such as Renata Adler, Juan Marsé, Carlos Zanón and Jordi Puntí. Writers such as Elif Shafak, Mia Couto and Patrick Deville came to talk about books and literature and in 2017 we’ve celebrated a new edition of Kosmopolis with guests like John Banville, Pierre Lemaitre, Zeina Abirached, Jean Echenoz and PJ Harvey, who gave her first poetry recital in Spain.

Primera Persona 2015. The writer Caitlin Moran talking the journalist Marta Salicrú © CCCB, Miquel Taverna, 2015

With this track record, Barcelona’s candidate status as Literary City was a project that the centre defended with enthusiasm and with the conviction that it was a recognition that Barcelona has deserved for some time. Now, with this honorary title, the city has fully entered the worldwide league of creative cities, and the CCCB will continue to be on the front line, defending literature as one of the fine arts. Because, as defined by the principles of Kosmopolis, literature is “the only discourse that does not try to model the world on absolute foundations, disciplinary frontiers or ideological straitjackets”.

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